In issue 18 leading museum innovators explore the future of museums in our ongoing #FutureMuseum short essay project; John Coburn looks at the untapped potential of collections and what digital public reuse projects tell us about audiences and the future of museums; Kaywin Feldman argues that the most important path to a museums future success is its talent strategy and the importance of challenging institutional culture; Michael Edson explains that the Dark Matter of the Internet is open, social, peer-to-peer and read/write and why it’s the future of museums; Christian Rasmussen and Lisbeth Skjernov write about user involvement as a collection method and working with the public to share knowledge, collect objects and co-create exhibitions; Russell Dornan looks at why Instagram is a fascinating and important platform for museums to explore themselves as visual destinations; and Rose Hiscock makes the case for disruption, hybrid thinking, salons of the future and why museums should be in a constant process of reinvention. Projects include The Museum of Tomorrow in Rio de Janeiro, the new $422 Whitney Museum of American Art in New York and the €92m transformation of the Musée de l’Homme in Paris.
• Clare Brown, Program Head, Master of Arts in Exhibition Design, George Washington University
• John Coburn, Digital Programmes Manager, Tyne & Wear Archives & Museums
• Bruno David, President, Muséum national d’Histoire naturelle, Paris
• Russell Dornan, Web Editor, Wellcome Collection, London
• Kaywin Feldman, Director and President, Minneapolis Institute of Arts
• Peter Gorgels, Internet Manager, Rijksmuseum
• Ben Hamley, Manager of Audience Research, Strategy and Advocacy, Queensland Museum
• Rose Hiscock, Director, Powerhouse Museum, Sydney
• Ellie Miles, Interpretation Officer, The British Museum
• Sascha Priewe, Managing Director, Royal Ontario Museum
• Christian Rasmussen, Project Assistant, Den Gamle By (The Old Town), Denmark
• Lisbeth Skjernov, Curator, Den Gamle By (The Old Town), Denmark
Committed to sharing innovative museum theory and practice, Museum-iD is the centre of a global network of like-minded museum peers interested in a more open and progressive approach to professional inquiry. You’ll benefit from the latest ideas from leading curators, collections specialists, conservation staff, audience development professionals, educators, digital pioneers, exhibition designers and developers, leaders and directors. We’re interested in sharing exceptional ideas in museums globally. We want our readers to learn from – and be inspired by – different perspectives outside their specialism and locality.
“Museum-iD has become the place to go for fresh thinking, new ideas and interesting perspectives on the world of museums. I cannot recommend the magazine highly enough for professionals looking to gain an insight into the current trends which will define tomorrow’s museums” – Nicholas Poole, Chief Executive, The Collections Trust
“It’s hard to imagine an easier or more enjoyable way for a busy museum professional to stay up-dated on creative museum practices internationally” – Linda Duke, Director, Marianna Kistler Beach Museum of Art, US
If you’d like to contribute your ideas to Museum-iD magazine please contact the editor – Gregory Chamberlain – directly: firstname.lastname@example.org
Twitter: @MuseumID – join over 31,000+ museum followers
Interested in reaching thousands of museum decision-makers?
Actively promote your business to museums, galleries and heritage sites in a really affordable and highly effective way. With Museum-iD you gain maximum exposure to the museum marketplace with minimum spend. To discuss how we can help you reach the international museum community – and how we deliver unbeatable value and quality – please contact us for further details. We’ll be happy to help. Simply email email@example.com for further details…